The musically spoken dialogue or Recitative is a type of vocal music representing conversation. Like opera, the actors sing their parts yet differ from opera in that the actors in recitatives speak in a musical manner of tones; each syllable is a separate note. In arias or chorals, the actors play the parts in the style of the opera or oratorio while the recitative carries over and advances the plot.

The recitatives melodies are quite simple often imitating or exaggerating the vocal parts. The first original recitatives would be accompanied by harpsichord or basso continuo yet in Italian opera seria (serious opera), the composer kept the other instruments steadily involved in the character of the recitative voices. This practice seems to continue into the 19th century Romantic Period

It would soon be difficult to determine between the recitatives and the arias of the time. By the time Mozart and Wagner completed their latter works, the recitative differences would be unnoticeable. The audience felt that a fast paced recitative with equally stepped action on stage added to the enjoyment and entertainment quality of the performance, especially favorites like Mozart's 'Marriage of Figaro' and Rossini's 'Barber of Seville.'

'Herr, unser Herrscher' Chorus (chorus to 'Saint John Passion') Original Score
Composed by Johann Sebastian Bach
Recitative examples with composers arranged by date









'II ritorno d'Ullisse' Act 1 'Penelope'
'Saint John Passion' Part 1 'Jesus spricht zu ihnen'
'Messiah 'Comfort ye My People'
'The Marriage of Figaro' Act 1 'Susanna and Figaro'
'Don Giovanni & Leporello' Act 1 Scene 2
'Barber of Seville' Act 1 Scene 4'
'Aida' Act 4 Scene 4 'Aida and Radam├Ęs'
Jacopo Peri
Claudio Monteverdi
Johann Sebastian Bach
George Frideric Handel
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart
Gioachino Rossini
Guiseppe Verdi