Rests

Rests-symbols-of-silence
Reading & Interpretation of Rests  The Symbols of Silence

We've learned the symbols of musical sound and begun a new composition. Next we continue with the symbols of silence, rests. Like notes, rests are placed on the lines and spaces of the staff to tell the performer when to remain silent and for how long. How long a rest will last depends upon several factors such as the rest's actual time value, the time-signature, and the tempo. The musician must mentally maintain a count of the beat to properly determine the rest's actual duration. Keeping time is mandatory as well as keeping an eye on the conductor for any instructions as you go along.

Identifying Rests  Determining the Silence

Like notes, some rests will carry a stem or a stem with flags. Both the stem and the flags tell the musician the time value of the rests. Unlike notes, rests are never connected together with beams. Whole-rests, half-rests, quarter rests, and multi-rests do not require flags, any shorter rests will. Each flag on a rest cuts it's time value in half. For example, an eighth-rest with one flag becomes a sixteenth-rest with two flags, a thirty-second-rest with three and so forth.

Below are the Rests used in musical composing for your review. Add some rests to the staff we started earlier and practice in the same manner as we did notes, stopping and timing the rests accordingly until you are familiar with identifying and timing them. This will make it easier for you when reading a score or piece of music later.

multi-rest
The multi-rest tells the musician to remain silent for a specific number of measures, in this example, four.
octuple-whole-rest
The octuple-whole-rest centered on the third line tells the musician to remain silent for eight full counts of a measure. Do not play for eight measures.
quadruple-whole-rest
The quadruple-whole-rest centered on the third line tells the musician to remain silent for four full counts of a measure. Do not play for four measures.
double-whole-rest
The double-whole-rest centered on the second space tells the musician to remain silent for two full counts of a measure. Do not play for two measures.
whole-rest
The whole-rest placed under the second line tells the musician to remain silent for a full count of a measure. Do not play for one measure.
half-rest
The half-rest placed above the third line tells the musician to remain silent for one half the count of a measure. Do not play for one-half measure.
quarter-rest
The quarter-rest tells the musician to remain silent for one quarter the count of a measure. Do not play for one-quarter measure. A reversed eighth-rest also serves as a quarter-rest.
eighth-rest
The eighth-rest tells the musician to remain silent for one eighth the count of a measure. Do not play for one-eighth measure.
16th-rest
The sixteenth-rest tells the musician to remain silent for one sixteenth the count of a measure. Do not play for one-sixteenth measure.
32nd-rest
The thirtysecond--rest tells the musician to remain silent for one thirtysecond of a measure. Do not play for one-thirtysecond measure.
64th-rest
The sixtyfourth-rest tells the musician to remain silent for one sixtyfourth the count of a measure. Do not play for one-sixtyfourth measure.